My fossil paintings begin as concrete castings of items from our garden. After the concrete sets, I spread on Venetian plaster, scribe in marks and then burnish it to create a subtle and textured surface that’s ready to paint. Using oils, I scumble color on and wipe it off, over and over again until I know when to stop. It’s an evolutionary process. Each piece captures the passing of time and holds the history of touch within it.